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I'm back from taking a couple of days off and catching up on things that I missed during that time, including the arrival of new comics in stores last Thursday (a day late due to the U.S. holiday), including: Tales Designed to Thrizzle #6 by Michael Kupperman 32-page full-color 6.75" x 9.5" comic book • $4.95ISBN: 978-1-60699-422-1 "The best alternative comic book series right now? It's certainly some of the funniest comics going, even if I have little to say other than apparently spout broad, positive clichés on its behalf," said Tom Spurgeon at The Comics Reporter last week. Hopefully…

C. Tyler has a couple of great public appearances coming up in Cincinnati and environs over the next couple of weeks. First she'll be reading from her book You’ll Never Know Book 1: A Good and Decent Man at the Cincinnati Art Museum, Sunday, June 13 at 12:30, with a book signing to follow. Then, she'll be presenting a comics workshop for teens called "Rated G for Graphic" at the Clermont County Public Library's Ameila & Williamsburg branches on Monday & Tuesday, June 21-22. Space is limited — you can pre-register at the library website.

This interview was conducted via telephone and transcribed by Comics Journal editorial intern Ian Burns and proofread by TCJ's Kristy Valenti and myself. Thanks to all! –Ed.

IAN BURNS: One of the new features [in The Search for Smilin’ Ed] is this huge fold-out here, and I was wondering, now that there’s over one hundred characters in your own personal universe, does having it that large affect how you create new stories at all? 

KIM DEITCH: Well, it certainly gives me a lot of advantage in terms of I’ve got all these characters and I can use them in stories, but I’ll tell you, bein’ a character of mine isn’t all that great [Burns laughs]. If I haven’t got a good idea for ‘em, forget about it. A character’s only as good as he is contributing to the storyline that I want to tell. The only one that’s really lasted all this time is Waldo, and even him I’ll lay him off for years at a time if I don’t feel I’ve got a good story.  

That’s why I think those stories are pretty good is because I never tried to force one. I never got up in the morning and go [adopts southern drawl]: “Hmm, I’m gonna make me a Waldo story!” [Burns laughs]. I don’t do that: to me, the play’s the thing, and it’s got to be a good yarn. 

BURNS: In the middle of creating a story, do you think: “I could see the story from a different angle.” In the TCJ #296 interview, Gary [Groth] cited the Rashômon Effect. 

DEITCH: God knows that’s a gimmick that’s gotten plenty of mileage. 

I will say this: in “The Sunshine Girl,” the long story in Deitch's Pictorama, that character Eleanor — I got to like her so much that I’d say the story I’m working on now was suggested by the fact that by the time I was nearing the end of that story, I got to like that character so much I hated to give her up. But ironically, now that I’m doing the story she doesn’t really have that much to do with it [Burns laughs]. At the beginning, discovering this manuscript, and then there’s an epilogue at the end and this woman occasionally mentions her by name as she’s describing something she did, so….Well, you just have to see where things go, you know? I had it in my mind that I’d like to do another story with her and maybe I will but, oddly, I didn’t really do that at all. I just used it as a jumping-off point for another story with a new character. 

BURNS: Great. Back on the fold-out: Did you go through any in-depth laying-out process for all these characters, or…? 

DEITCH: When I submitted the idea to Kim that we do The Search for Smilin’ Ed, the reason I did it is I figured this one I’m working on now is going to take me so long, I’d like to have something come out in the meantime, so people don’t forget about me. But, he said, “OK, I think this will make a good book, but you know what, I’d like to have an article in there talking about ‘The Kim Deitch Universe.’” 

Now, I didn’t make that term up. But you know the Marvel Universe: it just means the interconnectedness of all my characters. And when he said that, I immediately, feeling cocky [Burns laughs], said: “Well, hell, if you guys are going to have an article about The Kim Deitch Universe, the least I can do is draw it!” [Burns laughs.]  

Having said this, then I’m going, “Oh my God what have I said? How the hell am I gonna draw that?” [Laughter.] But, in a way that worked out, because I even spun off my own uncertainty: I was proud of the thing I worked up, it’s almost like a story but it isn’t a story. It leads you into it. Along the way I got the high concept: “let’s have it all happening inside my head.” 

BURNS: Right, that’s what I was just going to say: it’s all centered around that image. 

DEITCH: Yeah, and once that happened, then I really started catching fire. I did several elaborate sketches of it, and it wasn’t exactly pure fun, but it was happening. I knew I was onto something good and it came out pretty good, I think. It was hell: I had two computers cave in under me because that was a huge file. I had to get Paul Baresh to cut it in half. If you look at the Universe ones that they printed separately, you look really careful in the middle you can see where there’s a slight differentiation, ‘cause we were doing it in two hunks. Pretty much the biggest file I ever worked on. “Sex, Drugs, and Rock ’n’ roll” for Kramers [Ergot]; those were bigger, but they didn’t give me the trouble that this one did. “Kim Deitch Universe” was really blood, sweat and tears. But not the concept, so much, once I got going on that.  

But the real bitch was colorin’ it, which usually is sort of fun for me. But I never had such a big busy thing. Like I said, first I started on my wife’s computer and it crashed, and then I went over to the other computer…it was giving me all kinds of trouble till I cut it in half. 

Daily clips & strips — click for improved/additional viewing at the sources: • A spot illo of W.C. Fields by Michael Kupperman in this week's New Yorker • Another Post-It preview from Steven Weissman • Cartoon Josh Simmons & Wendy Chin's doctor is a real Quack(er) • Back to hairy subject matter for Renee French • Stephen DeStefano posts this teaser of a short animation he's working on to promote his forthcoming Fantagraphics graphic novel Lucky in Love • This week's Truth Serum by Jon Adams

Online Commentary & Diversions: • Review: "Rather than a narrative arc, with ascensions and declines, Artichoke [Tales] feels like a series of expansions. The characters and their world grow to envelop the reader in a singular, charming way." – Paul Constant, The Stranger • Review: "Without a single word, Woodring tells an enormous tale of redemption and heartbreak. Weathercraft crackles with the power of myth, and it extends far beyond its pages with a life of its own; one could imagine a postapocalyptic culture forming an entire religion based on this one thin book. You've never read anything quite like…

Peter Bagge fans in the Northwest can get a double dose this weekend. First, Peter's band Can You Imagine? plays at the Sunset Tavern in scenic downtown Ballard, in Seattle, on Friday night. Also on the bill: The Tom Price Desert Classic, which is studded with Fantagraphics staff past and present, and more special guests. Get more info and RSVP on Facebook. Then on Saturday Peter appears as a special guest of the Olympia Comics Festival (where our own Jason T. Miles will also be tabling with his Profanity Hill concern). Good times!

Daily clips & strips — click for improved/additional viewing at the sources: • It's your all-new weekly installment of "Cartoon Boy" from John Kerschbaum • Drew Friedman presents a history of his work about, with and for Howard Stern, including never-before-seen sketches • Jim Woodring gets dark, literally and figuratively • Another Post-It preview from Steven Weissman • Meanwhile… it's this week's Belligerent Piano by Tim Lane • The Jim Flora Art Blog commemorates Benny Goodman's 101st birthday • Gabrielle Bell commences a new travelogue diary comic • "Wanda in Blue" by Mark Kalesniko • Another mysterious 4 panels from…

Online Commentary & Diversions: • Review: "Whether you love the swords and sorcery genre, high adventure, romance, or any or all of the above, Hal Foster’s early work on Prince Valiant is well worth reading. … Fantagraphics has done a remarkable job remastering these strips, which, thanks to the use of original proof sheets and advances in printing technology, are even brighter and crisper than when they were first published 70 years ago. This second volume from Fantagaphics is due to ship in June 2010." – James Henry, Mid-Ohio-Con • Review: "In form, content and effect, [Muzzlers, Guzzlers and Good…

Various news outlets have reported the winners of the annual National Cartoonists Society Reuben Awards; congratulations are due Steve Brodner, division winner for Advertising Illustration.

  KIM DEITCH AND MEGAN KELSO CELEBRATE THEIR NEW GRAPHIC NOVELS AT THE STRAND ON JUNE 24   Fantagraphics Books and New York's The Strand Bookstore are proud to present an evening with acclaimed graphic novelists Kim Deitch and Megan Kelso on June 24, talking about and signing their new graphic novels THE SEARCH FOR SMILIN' ED (by Deitch) and ARTICHOKE TALES (by Kelso).  Kelso will be making a rare return to New York since moving back to her hometown of Seattle, WA a few years ago. She will give a multimedia talk called "Big and Small": How do you…