This would be hard to believe if there weren't the photos to prove it: "Behind the scenes of the second promotional short film for the graphic novel The Sanctuary — filmed on location on the 63rd floor of the Empire State Building!" Nate Neal, you nut!
Rip M.D. by Mitch Schauer & Michael Vosburg et al. – Previews, Pre-Order
Rip M.D. by Mitch Schauer & Michael Vosburg et al. 88-page full-color 7.5" x 9.25" softcover • $12.99ISBN: 978-1-60699-369-9 Ships in: September 2010 (subject to change) — Pre-Order Now Rip M.D. is the debut graphic novel from The Angry Beavers creator Mitch Schauer, a creepy, fun-filled all-ages adventure introducing Ripley Plimpt, an eleven-year-old boy whose ordinary life is turned upside-down when he discovers that monsters are not only real, but are also in desperate need of his help to overcome their very real problems. One foggy night, while searching for monsters in the cemetery behind his house, Ripley finds and…
Get yer Maakies merch!
Tony Millionaire's been plugging his Maakies t-shirts available from I Love Waterloo, so we will too! There's a bunch of designs (that last one is my favorite), plus limited-edition signed posters. Do some weekend shopping!
Things to see: 8/27/10
Periodic clips & strips — click for improved/additional viewing at the sources: • Bleeding Cool uncovers a lost all-ages Roger Langridge rarity • Here's an auction page where you can zoom in on and pan around a scan of Jaime Hernandez original art from Love and Rockets #9 • This week's Maakies? Maais oui. Tony Millionaire is still posting them on Facebook for the time being while his website is rebuilt • Read "Time Traveling" from Ganges #1 at What Things Do; also from Kevin Huizenga, a new Amazing Facts and Beyond with Leon Beyond strip and a curtain-lifting homage…
Weekend Webcomics: 8/27/10
We missed last week's update, through nobody's fault but my own. Sorry about that! This week we are changing our approach somewhat. Steven Weissman's Barack Hussein Obama continues as usual but instead of a one-panel teaser we're bringing you the full strip — you'll still need to click through to see it at its original size, though. Plus, starting this week we're bringing you a variety of previously unpublished, unseen or out-of-print strips and stories from some of your favorite Fantagraphics artists! On with the show: Barack Hussein Obama by Steven Weissman (view at original size): — "How Much Do…
Jason teases The Isle of 100,000 Graves
At his Cats Without Dogs blog Jason posted a page from his next all-new graphic novel, The Isle of 100,000 Graves (written by Fabien Vehlmann), to be published in France by Glenat in March 2011 and in English by Fantagraphics in May of that year.
Daily OCD: 8/27/10
Online Commentary & Diversions: • Review: "Rip M.D. is like the marriage of Cartoon Network and horror comics (perhaps an EC title or something from Warren Publications), because it is nonsensical and kooky like an old Scooby-Doo cartoon, but also steeped in monsters, both of the supernatural and human variety, like a pre-code horror comic book. The best thing about Rip M.D. is the lead character, Ripley Plimpt. […] This is the perfect set-up: a curious, brave kid and a world of monsters. Hopefully, there is more to come, but our first appointment with Rip M.D. is pure fun." –…
The Umpteen Millionaire Club: discussion questions for Wally Gropius
Summer 2010 interns Ian Burns, Melissa Gray, Jamie Hibdon, Kailyn Kent, Michael Litven and Christina Texeira put together a series of discussion questions about Tim Hensley's Wally Gropius for use in book clubs. As these questions are intended for those who have read the book, please be warned that contain spoilers [We've placed any spoilers behind the jump – Ed.].
How the Story is Told
Wally Gropius is broken up into a collection of small episodes that end with punch lines. How did this affect your reading experience, i.e. your engagement with the story and feelings for the characters?
What affect does solid color instead of detailed backgrounds have on the story? Did they affect the sense of "reality" in the comic?
Do all the visual and textual puns create their own narrative, or do they just exist for humor's sake? Do they add complexity to narrative?
Compare and contrast the punning in the sound effects of Wally Gropius with how other creators use onomatopoeia. How did you respond to that?
The Umpteen Millionaire Club: Discussion Questions for Wally Gropius
Summer 2010 interns Ian Burns, Melissa Gray, Jamie Hibdon, Kailyn Kent, Michael Litven and Christina Texeira put together a series of discussion questions about Tim Hensley's Wally Gropius for use in book clubs. As these questions are intended for those who have read the book, please be warned that contain spoilers. How the Story is Told Wally Gropius is broken up into a collection of small episodes that end with punch lines. How did this affect your reading experience, i.e. your engagement with the story and feelings for the characters? What affect does solid color instead of detailed backgrounds have…
Diaflogue: Michael Kupperman exclusive Q&A (2010)
I had some questions for Tales Designed to Thrizzle creator Michael Kupperman, which he graciously answered over email. All links below were added by me. MB: In the new issue of Thrizzle, apart from the move to full color, there also seem to be fewer short strips and gags and more multi-page stories — what led to this? Is this indicative of an evolutionary shift in the comic? MK: Well, yes — the comic has to keep evolving to keep going. For this issue I had been developing these three story ideas for a while, and it just worked out…
