New Comic Book Day! Oct. 19th 2016

Listening to Primal Scream and reading our #NCBD releases; there’s nothing better! You can find these titles in any decent store near you, or on any decent website (like ours!)

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Love & Rockets Vol. 4 #1 by Gilbert and Jaime Hernandez

Original Cover by Jaime Hernandez

The comic book event of 2016! Love and Rockets is back as an all-new, ongoing comic book series (Vol. IV for those keeping track at home)! On Jaime’s side: What do you do when none of your old punk friends want to be punk any more? And just who does the evil Princess Animus think she is? (Hint: She doesn’t know, she has amnesia.) On Gilbert’s side: Family drama takes center stage when a Fritz discovers a grandchild she didn’t know existed! Old fans and new fans are sure to enjoy the most diverse cast of characters in comics, including Maggie, Hopey, Pipo, Fritz, Tonta, Baby, and many more! Plus other surprises! Grrrowl!

 

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Exclusive Fantagraphics cover by Gilbert Hernandez

 

 

 

 

 

 

358359-_sx1280_ql80_ttd_  Visual Abuse by Jim Blanchard

Visual Abuse is an outrageous and optically rich collection of the halcyon days of illustrator and cartoonist Jim Blanchard, whose work from 1982–2002 intersected with punk rock, grunge, psychedelia, alternative comics, “zine” culture, portraiture, and “girlie” art. The book gathers Blanchard’s different eras and disparate art styles into a cohesive whole. After self-publishing the punk rock/art fanzine Blatch in Oklahoma, Jim brought his act to Seattle, Washington in 1987, where the nascent “grunge” rock scene was poised to erupt. Visual Abuse assembles the best of Blanchard’s LP covers, posters and flyers from the hardcore punk era through grunge, including iconic Black Flag, Nirvana, and Soundgarden posters. Augmenting the posters are exclusive photographs from the shows, including shots by famed photographer Charles Peterson. Also chronicled are page after page of Blanchard’s obsessive psychedelic art, bizarre sociopathic comics, exquisitely detailed pop culture portraits, twisted “glamour girl” art, and some tongue-waggin’ eyeball-poppin’ freaks, making this an overwhelming and long-overdue compendium by an elusive, dedicated, and complex artist.