Kayla E. will be discussing Precious Rubbish, her landmark graphic memoir, with Kelsey McKinney, the author of You Didn’t Hear This From Me, at Partners and Son on April 9th!
About Precious Rubbish: “If an exorcism can ever be slow and quiet, then every panel I’ve finished has felt something like an exorcism. The gutters give me space to make sense of things: to connect dots and close gaps. To remember.” Kayla E.’s Precious Rubbish is an experimental graphic memoir drawn in a style that references the aesthetics of mid-century children’s comics and tells the story of a childhood shaped by maternal emotional dysregulation, rural poverty, and incest. The author’s childhood is portrayed as a collection of short-form comics and gag panels punctuated by interactive elements like paper dolls, satirical advertisements, games, and puzzles.
While the work is concerned with violence and a particularly Texan brand of Pentecostal fanaticism, it is presented in a playful visual language with a deadpan humor that elevates the material beyond mere graphic memoir. Precious Rubbish is a landmark work of comics storytelling and graphic medicine.
The debut graphic novel from artist Kayla E., Precious Rubbish asks the reader to do the extratextual work of filling out narrative gaps, which mirrors the challenge of trauma recollection. The reader is invited to co-labor in the meaning-making process, an exercise that facilitates an intimacy (between the author, the subject, and the reader) that is at once horrifying and hilarious.
About You Didn’t Hear This From Me: Can you keep a secret? As the pandemic forced us to socialize at a distance, Kelsey McKinney was mourning the juicy updates, jaw-dropping stories, and idle chatter that she’d typically collect over drinks with friends. She realized she wasn’t the only one missing these little morsels and her hunger for normalcy took on a life of its own, and the blockbuster Normal Gossip podcast was born. With listenership in the millions and gossip quickly becoming her day job, Kelsey found herself with the urge to think more critically about gossip as a form, to better understand the role that it plays in our culture.
In You Didn’t Hear This From Me, McKinney explores the murkiness of everyday storytelling. Why is gossip considered a sin and how can we better recognize when gossip is being weaponized against the oppressed? Why do we think we’re entitled to every detail of a celebrity’s personal life because they are a public figure? And how do we even define “gossip,” anyway? She dishes on the art of eavesdropping and dives deep into how pop culture has changed the way that we look at hearsay. But as much as the book aims to treat gossip as a subject worthy of rigor, it also hopes to capture the heart of gossiping: how enchanting and fun it can be to lean over and whisper something a little salacious into your friend’s ear. With wit and honesty, McKinney unmasks what we’re actually searching for when we demand to know the truth – and how much the truth really matters in the first place.
