Today's Online Commentary & Diversions:
• Review: "…Wilfred Santiago… has done something very extraordinary and that's create a graphic novel that will eventually stand the test of time. If there was ever a novel that every Latino/Latina (baseball fan or not), comic book fan, family or anyone who volunteers/works in nonprofit must own in their library, it's 21: The Story of Roberto Clemente. Am I exaggerating? No, being the comic book nerd that I am, I haven't been this moved from a novel since I read Frank Miller's Batman: The Dark Knight Returns…. While Roberto Clemente was a fantastic baseball player, it was his humanity in this graphic novel that shone brightly. And I thank Wilfred Santiago for creating his masterpiece and Fantagraphics for publishing it. Thank you! Thank you! Thank you!" – Cesar Diaz, Latino Sports
• Review: "[Megan Kelso's] interest in open-ended narrative is apparent and, while occasionally frustrating, important, and her gouache work in the title story [in Queen of the Black Black] is lovely and subtle…" – Hillary Brown, Paste
• Reviews (Audio): The June 26 episode of Easy Rider, the radio show for "rock, punk rock, country, power pop, garage and comics" from Radio PFM out of Arras in northern France, features Johnny Ryan's Take a Joke among their Comics of the Week and Taking Punk to the Masses as their Book of the Week; on their July 3 episode, the Comics of the Week include Yeah! by Peter Bagge & Gilbert Hernandez and Gilbert's Love from the Shadows
• Scene: The New Yorker's Vanna Le reports from Lou Reed's reading of The Raven at the Strand bookstore in NYC last week: "Mattotti's illustrations, which were projected in a slide show, saturated the room with a kind of terror and despair. There was also something about the sound and sudden fits of fury in Reed's voice that seemed to mirror Poe's tormented vision." From the accompanying slideshow of images of the book: "Lorenzo Mattotti skillfully brings out the terror and elegance of Reed and Poe’s joint masterwork…. The book is an aesthetically stunning treat — but it isn’t only for the coffee table. Mattotti’s artwork is as enigmatic and suspenseful as the poetry itself."