Today's Online Commentary & Diversions:
• Awards: Congratulations to the great Joost Swarte, awarded the 2012 Marten Toonder Prize and its concomitant fat cash prize by the Netherlands Foundation for Visual Arts, Design and Architecture, as reported by Tom Spurgeon at The Comics Reporter
• Review: "One of the first comprehensive comic strip reprint projects of the current era, and arguably the most important, has achieved completion with the publication of the thirteenth and final volume in Fantagraphics’ series collecting George Herriman’s Krazy Kat Sunday pages in their entirety…. I expect I will be reading from this library for years to come. I am as grateful for this body of work as, I expect, readers of Emily Dickinson were when her complete works were first published in full." – Bill Kartalopoulos, Print
• Review: "Here are the early ejaculations from the primordial form of what was to become one of the great American writers. Here is Flannery O'Connor as she is formulating her unique vision of America and all that it entails…. What value does Flannery O'Connor: The Cartoons have inherently? I think the answer to that question is entirely subjective. …I personally wish to thank Fantagraphics for going out on a limb and publishing this book, if for no other reason than to put Flannery O'Connor back into the pop culture discussion for however briefly it may be." – Daniel Elkin, Comics Bulletin
• Review: "Anyone can be grotesque and horrifying. To truly get under the skin of the audience is an ability not many have. Someone who does is Thomas Ott, and he uses his ability to the highest effect in Cinema Panopticum. …[I]f you are looking for an unsettling horror story rendered beautifully by an expert craftsman there is no doubt this should be in your collection." – Taylor Pithers, The Weekly Crisis
• Film Studies: At Boing Boing, Jim Woodring writes about the 1931 Fleischer Bros. short that expanded his young mind: "I might have come to grips with the overwhelming mystery of life in a rational, organic manner if it weren't for a cartoon I saw on my family's old black and white TV in the mid '50s when I was three or four years old. This cartoon rang a bell so loud that I can still feel its reverberations…. Whatever [the creators'] motivation and intent, 'Bimbo's Initiation' became my prime symbolic interpreter, the foundation of my life's path and endlessly exploding bomb at the core of my creative output."
• Gaming: Thanks to intrepid Fantagraphics intern Michael Fitzgerald for passing along this article at Hardcore Gaming 101 about something that I've been very curious about, the Usagi Yojimbo "Samurai Warrior" game for Commodore 64