Daily OCD: 2/17/11

Today's Online Commentary & Diversions:

Stigmata [Pre-Order - with Special Offer]

Review: "Working in frenetic black and white, Eisner-award-winning Italian cartoonist Lorenzo Mattotti illustrates screenwriter Claudio Piersanti’s Stigmata with powerful art that drives a timeless fable of existential dreams. […] Thanks to Piersanti’s workable script, Stigmata comes across as naturalistic and modernist in an old-school Hemingway style. […] It’s an old story, but the heart that Mattotti and Piersanti bring to their comic keeps the work interesting.Mattotti’s character designs are as incredibly idiosyncratic as they are intense — their bodies are hulking masses, with exaggerated proportions and faces that don’t feel drawn so much as sculpted." – Ao Meng, The Daily Texan

Popeye Vol. 3: "Let's You and Him Fight!"

Review: "Segar's Thimble Theater was a nearly perfect blend of humor and adventure, with a cast of interesting oddballs (led by Popeye himself, of course) and a tone that could veer from high drama to low comedy within a couple of panels. And this Fantagraphics series is even closer to perfection, presenting Segar's work gorgeously on great big pages — it would be a much better world if all our artistic treasures were treated this well." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.

You'll Never Know Book 2: Collateral Damage [Pre-Order]

Interview (Audio): I haven't yet but you can bet I'll be listening to the entire 2 hours of the Inkstuds interview with the great Carol Tyler

Carl Barks

Interview: Robot 6's Brigid Alverson gets the behind-the-scenes scoop from Rich Tommaso about his work recoloring the Carl Barks ducks comics for our forthcoming collections

Murder by High Tide: Gil Jordan, Private Eye [June 2011]

Coming Attractions: The latest "Graphic Novels Prepub Alert" from Library Journal's Martha Cornog spotlights Murder by High Tide: "Belgian artist Tillieux (1921-78) is well known in Europe for tightly plotted mystery-comedies, churning with action and spectacular roadway mayhem. Never before translated for Americans, his work suggests Hergé's Tintin but in moodier, Will Eisner-grimy settings."