Today's Online Commentary & Diversions from Publishers Weekly, John Porcellino and other sources:
• List: Publishers Weekly Comics Week posts the results of their Fifth Annual Critics Poll, with 5 of our titles placing with 2 votes each (and a bunch of honorable mentions):
"Castle Waiting Volume 2 by Linda Medley… The simplest actions — moving into another room, raising a child — are enlivened by being placed in an exceptionally illustrated fantasy environment, full of unusual outcasts who've formed a family. The cast is immensely appealing, both visually and through well-written dialogue. […] Always a pleasurable read underlined by a genius level of artistic skill." – Johanna Draper Carlson
"A Drunken Dream, Moto Hagio […] Beautiful, gripping and delightfully weird, reading this book you can see her fingerprints all over shojo manga as we know it. At the same time it works as a solid refutation of the old canard that shojo is nothing but sparkly 14 year-olds with love-angst and magical powers." – Kate Fitzsimons
"High Soft Lisp, Gilbert Hernandez… Rosalba 'Fritz' Martinez is one of the loopier characters from Hernandez's expansive Love and Rockets universe, but her ditzy, oversexed antics are peppered with poignant moments of loneliness and longing. As always, Hernandez sticks a beating heart at the center of his raunchy pulp adventures." – Jason Persse
"Love and Rockets: New Stories #3, The Hernandez Brothers… Los Bros. Hernandez show they are still at the peak of their cartooning form. In 'Browntown' Jaime mines family history, cruelty and the hinted-at pasts of his well known cast for an unforgettable story of innocence lost." – Heidi MacDonald
"Weathercraft, Jim Woodring… Jim Woodring first hit his bullseye so long ago, and has been splitting his own arrow right down the middle so many times, that he's easy to take for granted. Don't. Weathercraft is a magnificent and slightly wicked little book: a whimsical farce about some of the nastiest, darkest metaphysical stuff there is, a banquet for the eyes that starts growing tendrils once it's inside you." – Douglas Wolk
• List: Also at Publishers Weekly, Moto Hagio's A Drunken Dream and Other Stories is selected by Kai-Ming Cha for Critic's Picks: Manga in 2010: "Most of shojo manga today are derivative of Hagio and her contemporaries — and pale in comparison. This collection of stories takes from the oeuvre of Hagio, one of the first in a pioneering generation of manga to be created by women."
• List: John Porcellino's Favorite Comics of 2010 include some of our older books:
"Supermen!: The First Wave of Comic Book Heroes 1939-41 … What happens when you throw a bunch of sometimes-talented, always-desperate cartoonists in a room and force them to churn out page after page after page of comics at a deviously inhuman rate? […] Oh my Lord. This sooper-fun and enjoyably bizarre collection of early 'Pre-Code' superhero comics features work by Jack Kirby, Basil Wolverton, Will Eisner, Fletcher Hanks, and Jack Cole, among many more lesser-known artists…"
"Abandoned Cars by Tim Lane… [Lane's] excellent, down and out, Beat-inspired tales of post-war/modern day America are unique to the form, and his grappling with what he calls the 'Great American Mythological Drama' yields some of the most literate, stark, and surreal comics I've ever read. […] Great book."
"Where Demented Wented: the Art and Comics of Rory Hayes… The comics themselves, though undeniably crude in the early years, have a rock solid EC-inspired prose style, which when combined with the brutal/cute drawings makes for some compelling reading. As time goes on, Hayes' imagery becomes more and more refined, and there are pages in here that are just simply beautiful. A real surprise, and a book that kept me thinking for days afterward."
"Caricature by Dan Clowes… Reading [these stories], I was immediately taken back to the good old glory days of Alternative American Comics. I remember reading stories like 'Immortal, Invisible' and 'Blue Italian Shit' with my jaw hanging open… you could feel the boundaries of comics expanding with each panel. These particular comics remain some of my favorites of all time."
• Review: "The story itself is absolutely insane. […] There's no real rhyme or reason to the proceedings, and that's a big part of the fun. You don't know what outrageous scenario will greet you at the end of the next page. […] Millionaire keeps his foot on the gas and writes with the spirit of Chuck Jones and the rest of Termite Terrace lurking in his pen. […] If you're looking for madcap action, Billy Hazelnuts and the Crazy Bird should be right up your alley. It certainly was for me." – Rob McMonigal, Panel Patter
• Plug: Illustrator Eric Orchard shares his love for the work of Jaime Hernandez: "There's an unbelievable charm to his characters and an intoxicating rhythm to his panels. They are some of the best, most enjoyable comics to come out in the last thirty years."
• Anecdote: At Gapers Block, Ruthie Kott presents a funny story told to her by Paul Hornschemeier: "On two separate occasions I've had people argue with me that I am not me. There is apparently some existential comedian writing the script of my life for moments like these…" (Via Robot 6)
• Survey: The Beat's year-end/looking-forward survey of comics pros (part two) includes input from Megan Kelso and Shaenon Garrity calling our publication of Moto Hagio "the biggest story in comics in 2010"