Daily OCD 12/11/12 - Fantagraphics Blog

The first* glass of spiked eggnog of Online Commentaries & Diversions:

• Review: Metroland's Simcoe reviews Walt Disney's Donald Duck: A Christmas for Shacktown by Carl Barks and The Complete Peanuts: 1985 to 1986 by Charles M. Schulz. Glenn Perrett states, "Reading Carl Bark's "Donald Duck" stories from 60 years ago was entertaining. The animation and colours are excellent and sections such as "Story Notes" [etc.] . . . complement the wonderful comics making this book a nice addition to any library." And "The Complete Peanuts: 1985 to 1986 are sure to make the holidays more entertaining and makes a nice gift and keepsake."

• Review: Noel Murray of The AV Club continues the Christmas coverage with Schulz's Charlie Brown's Christmas Stocking which "is mainly meant to serve as a nice little accessory to holiday decorations, to be brought out every December with the ornaments and Andy Williams records. For that reason, it’s hard to humbug it…" With Walt Disney's Donald Duck: "A Christmas for Shacktown" by Carl Barks, Murray notes "These stories—nearly all published in the early ’50s—are mostly non-Christmas-y, but the title tale is a sweet one. . . For those who do want a surefire present for the comics buff in their lives."

• Review: School Library Journal goes over some of the favorite holiday graphic novels of 2012 like Charlie Brown's Christmas Stocking by Charles Schulz. J. Caleb Mozzocco states "It’s beautifully designed, a breezy, five-minute read, and about the size of a Christmas card, making it a pretty great gift. And, this being Schulz’s Peanuts, it’s the sort of gift you’ll never grow out of." As for Carl Barks' holiday and title story in Walt Disney's Donald Duck: "A Christmas for Shacktown", "It’s one of about 20 of the top-notch comics in the book, which range from one-page gags to the sort of sprawling adventures Barks was best-known for."

• Review: Noel Murray of The AV Club takes a peak at Heads or Tails by Lilli Carré. "Carré loves to constrict her characters, because she knows that limiting their options won’t necessarily limit their imaginations. . . her comics work often has the feel of avant-garde cinema, as she weds surreal images to everyday situations to enchant audiences and spark ideas. . . "

• Review: Christopher Borrelli of The Chicago Tribune writes a loooong article on Lilli Carré and her new book Heads or Tails "that best captures the range, humor and vague sense of ennui she's made her name on. . . "

• Review: Noel Murray of The AV Club enjoys Tom Kacynski's Beta Testing the Apocalypse. "Kaczynski’s comics are frequently nightmarish, starting from a slightly askew place and then tipping further into darkness. . . But while his stories have characters and plots—often with haunting endings—they’re more like essays than conventional narratives."

• Review: Noel Murray of The AV Club finished the You'll Never Know series with Book 3: A Soldier's Heart by Carol Tyler. "This is Tyler’s magnum opus: her thoughts on art, work, relationships, music, war, and anything else that came to her mind while she was piecing together her dad’s story."

• Plug: About.com fills in the blanks of their Christmas Sex Book List by adding our most recent titles. On No Straight Lines: Four Decades of Queer Comics edited by Justin Hall, Cory Silverberg slyly states "given the diversity of artists working today it's not a definitive collection, but it's sexy and joyful and difficult in parts, and definitely one to own." Meanwhile, Naked Cartoonists (edited by Gary Groth) contains "a number of stand outs among this overwhelmingly white, male collection of artists. And I imagine this could be a perfect gift for the right kind of comic nerd."

• Interview (audio): Dean Haspiel of Welcome to Trip City interviews Josh Simmons about The Furry Trap, Jessica Farm, living the life and accidental erections.

• Review: Danel Olson of the Weird Fiction Volume 3 writes on Richard Sala and The Hidden . "Sala has become one of my favorite American sequential artists because of his subtle tributes and expansions to four of the most memorable twentieth century American cartoonists – Charles Addams, Edward Gorey, Gahan Wilson, and Basil Wolverton. . . Forbidding and weird seem like weak adjectives for Sala's The Hidden, and I urge you to open it. . . Give a standing order to Fantagraphics for any noirishly weird fictions forthcoming from Sala."

• Review: Chris Estey of KEXP reviews the Bill Griffith collection called Bill Griffith: Lost and Found – Comics 1969-2003. Chris Estey writes that it is "a luxurious and generous Fantagraphics big book collection of his non-Zippy work, is required reading for those who may have missed his parodies and punk rock operas in the past, or want them all bound together. It’s also for those like me who were never really that much into Zippy in the first place."

• Plug: Dave Segal recants the events immediately following his Stranger article on Listen, Whitey! by Pat Thomas on the Stranger Slog. White supremacists got all sorts of angry at this history book and the white dude who wrote it.

• Plug: One step forward, two steps back. The Adele Blanc-Sec movie is inching along towards distribution in America. Johanna Draper Carlson gets the scoop on DVDs Worth Reading on Jacques Tardi's graphic novel adaptation.

• Plug: Negromancer reviews the film adaptation of Art School Confidential directed by Terry Zwigoff based on the comics of Daniel Clowes. "While Art School Confidential comes across as a satire of art schools, the faculty, and students, it is also a love story and youth relationship drama. It works well as all three."

*let's be real, it's like our tenth glass of that local dairy's eggnog

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