Today's Online Commentary & Diversions:
• Review: "A powerful eco-report, Oil and Water also manages to be a report on the gap between classes that isn’t about who has what, but rather about what 'having' means to different groups of Americans…. The large black-and-white images are realistic and create individual characteristics for the cast; its smudged texture is an excellent vehicle for the intrusion of oil on beaches, birds, livelihoods, and prospects for the future. Quick to read, but of lasting weight for readers from either side of the divide." – Francisca Goldsmith, School Library Journal
• Review: "…Nelson wrote like Fitzgerald or O’Connor, his prose full of god and anxiety… Paul Nelson knew you were that kid that needed a noir detective to crack the case for you, to demystify the rock god world while not for a second taking the romance and realness out of it. He signed on for a pittance and wrote elegantly and truthfully about an industry that was usually nothing but awkward boasts and queasy lies…. I’m not kidding when I say that you need to get on [Everything Is an Afterthought] ASAP if you do any music writing at all. It’s the Scribes Sounding Off book of the year, in a pretty great year of them…" – Chris Estey, The KEXP Blog
• Interview: Comic Book Resources' Chris Mautner has a fascinating and playfully cantankerous Q&A with Kevin Huizenga about the new issue of Ganges: "I totally would rather work on a minicomic more than working on a 'real' project. Working on something where other people are involved really screws me up. It's some kind of disorder. I assume they're going to be disappointed, and I resent them for that in advance, and then I start to hate the work and half-ass the project. I'd much rather work on something that no one wants, that no one has asked for. This has not helped my career."
• Travelogue: The wonderful Jean Schulz writes about her recent trip to Portugal for Lisbon's Amadora International Comics Festival