Friday Online Commentary & Diversions fun:
• Quote of the week: "Right at the outset of the show, the con's lasting image was burned in my brain: Kim Thompson and Gary Groth carrying a wooden palette piled high with empty boxes to the exit door by our table. They weren't fucking around. No interns, no 'assistants.' Now that's what I call, 'Keeping it Real'." – from Frank Santoro's SPX report at Comics Comics
• Review: "I've gone on record several times here saying how much I love [Jaime Hernandez's] Ti-Girls saga [in Love and Rockets: New Stories] and how it seems to 'get' the superhero genre in ways that the Big Two just don't seem to anymore. All that holds true here [in issue #2] and more, with a wonderful, fitting ending for our heroines. I wonder what he'll do for an encore." – Chris Mautner, Robot 6
• Review: "…[M]oreso than any continuing comic I can think of, Ganges places maximum emphasis on how events don't matter so much in a life as how they're processed, by means ranging from simple moment-to-moment experience to fleeting reflections on whole segments of a guy's youth gone by. … Literalization of funnybook iconography powers the book's wit — I mean, word balloons that literally float, ok? — but it's how Huizenga builds on these ideas that matters, stacking images of thought streams and leaping licks of heartburn and disembodied heads with eyes closed to convey the enormity of a night passing, of conscious thought retreating, like a terrible shift in life itself. … Totally assured work, supremely technical so as to address the personal. Kevin Huizenga is this reading generation's Chris Ware, and his work cannot be ignored." – Joe McCulloch, Jog – The Blog
• Plug: "…[Mome Vol. 16] verily brims with Renée French, Archer Prewitt, T. Edward Bak, Dash Shaw and new Fuzz & Pluck from Ted Stearn. And it includes two exclusive Cold Heat stories…" – Joe McCulloch, Jog – The Blog (same link as above)
• Things to see: Tim Lane continues to pay bills and give thrills, this time with his poster for the St. Louis International Film Festival
• Separated at birth: Eric Reynolds and Cannonball?