Inkstuds has a new interview with one of my favorite cartoonists (and graphic designers), Jonathan Bennett. Jonathan says at the end that he thinks it went terrible, but he's wrong, I enjoyed it.
Herriman, UT
Google news just alerted me to this parallel universe called "Utah" where there's a real estate agent named Eric Reynolds selling homes in the town of Herriman.
Johnny Ryan, are you reading?
The New Yorker has announced a contest inviting cartoonists to design their own version of the magazine's mascot, Eustice Tilly (originally designed in 1925 by Rea Irvin for the very first issue). My favorite Tilly probably has to be the above Crumb version, which was perceived as a blasphemous betrayal of the mag's proud tradition by some of its more calcified subscribers when originally published in 1994. Now it's a decade and a half later and folks like Crumb, Aline Kominsky, Chris Ware (see his Tilly below), Adrian Tomine, and Daniel Clowes are fairly regular contributors to the mag. Mouly…
But wait, that’s not all…
… regarding Chris Ware's recent output. From the aforementioned publications earlier this week, to the recent film poster for The Savages, and now to obscure midwestern literary journals, he continues to shame underachievers everywhere. More here. Tip 'o the Floghat to reader A.T.
Friedman’s NY Observer cover
From today's edition.
Strange deck
I like to play cards, so I was stoked to get this set from our pals at The Stranger. It instantly vaults past the nudie deck as my favorite. Each card features a classic cover from Strangers past, and they've had some great ones, including a bunch by Fantagraphics-published cartoonists like Jim Blanchard (who is featured on three cards, I think more than anyone), Ellen Forney, Jeremy Eaton, Charles Burns (colored by yours truly, coincidentally), and Tony Millionaire. I have no idea how to get this or if it's even for sale, so good luck. And neener-neener.
Esther Pearl Watson
If you're in L.A. this Saturday, TRACK 16 GALLERY is hosting the opening reception of the L.A. WEEKLY BIENNIAL, featuring a four foot flying saucer painting by Esther Pearl Watson, along with a lot of other great stuff. I was glad to hear about this show because it gives me an excuse to mention Esther on this blog. One of the books I'm most excited about for 2008 is a book collection of Esther's UNLOVABLE minicomics (also seen every month in BUST magazine). I was only peripherally aware of UNLOVABLE until last summer's San Diego Comic-Con, when Jordan Crane pretty…
Chris Ware is totally en fuego.
In the last two or three weeks, I've acquired not one, not two, not three, but FOUR brand new Chris Ware books. WTF?!? First ACME 18, then the ACME 18.5 portfolio, then the second ACME Datebook. Then, yesterday I get the new issue of Virginia Review Quarterly, which features an all-new strip called "Jordan W. Lint," which continues the all-new Ware piece in the new Zadie Smith anthology that Jacob wrote about two posts back. How does he do it? Pact with the devil? Sweatshop? Computers? You know, when you have a child, your output is supposed to decrease, Chris….
Hotwired
Our pal Glenn Head has launched a HOTWIRE COMICS website to promote his high-octane anthology from Fantagraphics, the second issue of which ships next month with all-new work from Tim Lane, Jonathon Rosen, Mark Newgarden, R. Sikoryak, David Sandlin, Mary Fleener, Johnny Ryan, Matti Hagelberg, David Paleo, Sam Henderson, Danny Hellman, Glenn Head, Carol Swain, Mark dean Veca, Stephane Blanquet, Mack White, Onsmith, Lorna Miller, Chris Estey, David Lasky, Ivan Brunetti, Tobias Tak, Craig Yoe, and Christian Northeast.
This Saturday: Rebel Visions takes on the NFL

"REBEL VISIONS: The Underground Comix Revolution" Opens Saturday January 12 at Fantagraphics Bookstore & Gallery in Seattle.
All comix fans will want to see "REBEL VISIONS: The Underground Comix Revolution" opening this Saturday, January 12 from 11:30 to 8:00 PM at Fantagraphics Bookstore & Gallery in Seattle. This colorful art show will complement R. Crumb's Underground exhibition opening January 26 at the Frye Art Museum in Seattle.
